| While music fans and critics revere their studio catalog, their live shows are something to behold. Rolling Stone raves, “In full flight, Kilbey plays the bass with a power and intent once reserved for ascending Lancaster bomber pilots in WWII.” KCRW hosted a live session of the band, chiming, “The band’s unmistakable blend of lush atmospherics and diamond-edged rock ’n’ roll remains as intoxicating as ever.” The Big Takeover applauds the seamless flow of their sets as “a selection of captivating new songs honoring the band’s beloved sound while carrying it forward.”
“The Hypnogogue has come to life on stage during our U.S. and Australian tours this year,” says Kilbey. “Every night we play, I understand more about what it is. I am so buoyed by the audience’s enthusiasm for the songs and stories behind the songs that I’m constantly reinventing and recalibrating the whole shebang!”
Starting in 1980, The Church continued expanding their highly cinematic and atmospheric blend of indie rock, shimmering post-punk, icy dreampop and psychedelic post-rock without retreading their steps. Their expansive music career yielded a string of hit songs, including “Under the Milky Way,” “Reptile,” “The Unguarded Moment” and “Almost With You” amongst others,and their equally stellar live shows have been deemed “spectacular” by MAGNET Magazine, citing their “dreamy psychedelia that will daub your evening with shades of paisley.” Their recent U.S. performance at 2022’s Cruel World Festival alongside Blondie, Bauhaus and Morrissey was heralded as “a subtle delight… that captivated the late afternoon audience” (Orange County Register), “providing the perfect soundtrack” (Rock Cellar Magazine).
Founded by bassist and vocalist Steve Kilbey, the line-up is rounded out with long-time collaborator Tim Powles, drummer and producer across 17 albums since ’94; guitarist Ian Haug formerly of Australian rock icons Powderfinger, who joined the band in 2013 and Jeffrey Cain (Remy Zero), touring multi-instrumentalist who is now a full-time member of The Church since the departure of Peter Koppes in early 2020. The band has also recruited Ashley Naylor, a long-time member of Paul Kelly’s touring band and one of Australia’s finest and most respected guitarists (Even, The Grapes, The Stems).
“I’m most excited for anyone who hasn’t heard this record and also those who have as they feel all the love and work that goes into these songs coming to life every night,” Kilbey concludes, reflecting on The Hypnogogue and its dystopian narrative within. “We constantly streamline and improve the music and as I go on explaining (to them and myself) the crazy and haphazard world of Eros Zeta and Sun Kim Jong [the album’s central characters] and the strange beast that is the Hypnogogue!”
TOUR DATES
| Sep 28 |
Seattle, WA |
Neptune Theater |
| Oct 2 |
Ventura, CA |
Ventura Music Hall |
| Oct 4 |
Pomona, CA |
The Glass House |
| Oct 5 |
Las Vegas, NV |
Brooklyn Bowl |
| Oct 6 |
Chandler, AZ |
The Showroom at Wild Horse Pass |
| Oct 7 |
Santa Fe, NM |
The Lesnic |
| Oct 9 |
Omaha, NE |
The Waiting Room |
| Oct 11 |
Ferndale, MI |
The Magic Bag |
| Oct 12 |
State College, PA |
State Theater |
| Oct 13 |
Covington, KY |
Madison Theatre |
| Oct 14 |
Atlanta, GA |
Variety Playhouse |
| Oct 15 |
Birmingham, AL |
Saturn |
| Oct 17 |
Ponte Vedra, FL |
Ponte Vedra Concert Hall |
| Oct 18 |
Orlando, FL |
The Abbey |
| Oct 19 |
Clearwater, FL |
Capitol Theatre |
| Oct 20 |
Fort Lauderdale, FL |
Culture Room |
| Oct 21 |
Fort Lauderdale, FL |
Culture Room |
| Oct 23 |
Pensacola, FL |
Vinyl Music Room |
| Oct 24 |
New Orleans, LA |
House of Blues |
| Oct 26 |
Austin, TX |
Levitation Festival |
| Oct 27 |
Houston, TX |
Heights Theater |
| Oct 28 |
Dallas, TX |
Kessler Theater |
| Oct 29 |
Oklahoma City, OK |
Tower Theater |
| Oct 31 |
Evanston, IL |
SPACE |
| Nov 1 |
Evanston, IL |
SPACE |
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